Mid-Atlantic Art: 20-21st Century Northeast and Mid-Atlantic Painting (for years 1997-2000 includes Southeast and Southern American Paintings)

Mid-Atlantic Art: 20-21st Century Northeast and Mid-Atlantic Painting (for years 1997-2000 includes Southeast and Southern American Paintings)

Introduction

This section of the Traditional Fine Arts Organization (TFAO) catalogue Topics in American Art is devoted to the topic "Mid-Atlantic Art: 20-21st Century Northeast and Mid-Atlantic Painting (for years 1997-2000 includes Southeast and Southern American Paintings)." Articles and essays specific to this topic published in TFAO's Resource Library are listed at the beginning of the section.

Following are links to valuable online resources found outside our website. Links may be to museums' articles about exhibits, plus much more topical information based on our online searches.

Following online resources is information about offline resources including museums, DVDs, and paper-printed books, journals and articles.

(above: Jervis McEntee (1828-1891). Mount Desert Island, Maine, 1864, oil on canvas, John Wilmerding Collection. Picture from National Gallery of Art (Washington, D.C.) Source: Wikimedia Commons - public domain*)

Our 452 articles and essays honoring the American experience through its art:

2008-2016 15

2007 13

2006 15

2004- 2005 22

2003 30

2002 33

2001 58

2000 56

1999 94

1998 83

1997 33

(above: Late Summer in Deerfield, MA, 2013. Photo by John Hazeltine)

From other websites:

Art and the New England Farm is a 2018 exhibit at the Florence Griswold Museum which says: "Drawing on the agricultural heritage of Florence Griswold's family estate and of the Lyme region and beyond, this exhibition examines the history and character of New England's farms in works by artists from the 19th to the 21st century." Accessed 6/18

Flora/Fauna: The Naturalist Impulse in American Art is a 2017 exhibit at the Florence Griswold Museum which says: "Drawn extensively from the Museum's collection, as well as many public and private lenders, the 101 works in Flora/Fauna survey the history of environmentally-conscious artists in the United States from the dawn of the 19th century through the mid-20th century." Also see 6/20/17 article in Antiques and The Arts Weekly Accessed 8/17

(above: Mabel May Woodward, New England Summer, Late Afternoon, c. 1920, oil on canvas, 15.9 x 20 inches, Providence Art Club, Providence, Rhode Island.Public domain, via Wikimedia Commons*)

Pastoral Vermont: The Paintings and Etchings of Luigi Lucioni, an exhibit held May 21-August 9, 2009 at the Middlebury College Museum of Art. Includes 10 audio files. Accessed February, 2015.

(above: N. C. Wyeth, Smokey Face, 1917, oil on canvas, 32 1/4 ? 40 inches, Brigham Young University Museum of Art. Public domain, via Wikimedia Commons*)

DVD/VHS videos:

Hudson River and its Painters, The is a 57 minute 1988 video from the Metropolitan Museum of Art Series released by Home Vision Entertainment. The mid-nineteenth century saw the growth of America's first native school of landscape painters, artists inspired by the compelling beauty of the Hudson River Valley, who portrayed this and other romantic wilderness areas with an almost mystical reverence. This 57 minute video explores the life and work of the major artists of what came to be known as the Hudson River School -- Thomas Cole, Asher Durand, Frederic Church, Albert Bierstadt, John Kensett, Jasper Cropsey, Worthington Whittredge, Sanford Gifford, and George Inness. Although its members traveled widely, the growth and development of the school were centered around New York City, and its success reflected the ambitions of the youthful American nation. It presents more than 200 paintings, prints and photographs of the period and juxtaposes them with dramatic location photography of the Hudson River area. The Hudson Company in association with The Metropolitan Museum of Art. Hudson River and its Painters, The is available through the Sullivan Video Library at The Speed Art Museum which holds a sizable collection of art-related videos available to educators at no charge.

Plein Air: Painting the American Landscape episodes take the viewer on a journey, from Cape Cod, where the Atlantic meets the land, to the peak

of Denali, the "Great One," North America's tallest mountain. Other episodes feature the Tongass Rain Forest; Seward, Alaska; Taos, New Mexico; Trinidad, Colorado; and central Michigan.

Plein air artists featured in the series include Matt Smith of Scottsdale, Arizona; Kenn Backhaus of Robesonia, Pennsylvania; Jean LeGassick of Silver City, Nevada; Connecticut artist Charles Sovek; Utah artist Ron Rencher; and Frank LaLumia of Trinidad, Colorado. Episodes features one or two of the contemporary plein air painters and examine their technique plus history of the plein air genre. Plein Air: Painting the American Landscape appeals to art lovers and outdoor enthusiasts alike and helps viewers to understand America's own naturalist art form.

For more than a century, a unique group of American artists ventured out of their studios to capture the essence of the American landscape. Some learned their craft from the French Impressionists, others through trial and error. What unites them is their dedication to the interplay of land, water and sky, and the study of how light, shadow and color form the varied and rich masks of the natural world.

This six-part series premiered in August 2007 on PBS and was presented in high definition. Underwriters for the series are Rasmuson Foundation and Joan Irvine Smith & Athalie R. Clarke Foundation. The producer is Greg Bombeck of Bombeck Productions and the PBS presenter is KTOO Juneau. DVDs are available through Bombeck Productions, LLC, 18016 Kamkoff Ave., P.O. Box 770302, Eagle River, AK 99577

Portrait of George Hardy. In this 30 minute Gabriel Coakley 1995 program we meet George Hardy, an elderly self-taught artist, living on the island of Deer Isle, Maine. Born on Deer Isle in 1917, Hardy has continued to live there ever since. After making a living as a mason, he began his career in folk art at the age of 60. Isolated from art trends, with no formal training and only a seventh-grade education, his work is concrete, raw, and direct. His sculpture is very much a part of his environment. From his roughened hands come the energized versions of wooden porcupines, tigers, red foxes with alligator teeth, blue howling coyotes, seagulls, and song birds.

(above, William Aiken Walker, Cotton Wagon, 1893, oil on canvas, 12 x 20 inches, Private Collection, Australia. Public domain, via Wikimedia Commons*)

See our Museums Explained to learn about the "inner workings" of art museums and the functions of staff members. In the exhibitions section find out how to get the most out of a museum visit. See definitions for a glossary of museum-related words used in articles.

To help you plan visits to institutions exhibiting American art when traveling see Sources of Articles Indexed by State within the United States.

Unless otherwise noted, all text and image materials relating to the above institutional source were provided by that source. Before reproducing or transmitting text or images please read Resource Library's user agreement.

Our catalogues provide many more useful resources.

American Representational Art has links to dozens of topics.

Distinguished Artists is a national registry of historic artists.

About Resource Library

Resource Library is a free online publication of nonprofit Traditional Fine Arts Organization (TFAO). Since 1997, Resource Library and its predecessor Resource Library Magazine have cumulatively published online 1,300+ articles and essays written by hundreds of identified authors, thousands of other texts not attributable to named authors, plus 24,000+ images, all providing educational and informational content related to American representational art. Texts and related images are provided almost exclusively by nonprofit art museum, gallery and art center sources.

All published materials provide educational and informational content to students, scholars, teachers and others. Most published materials relate to exhibitions. Materials may include whole exhibition gallery guides, brochures or catalogues or texts from them, perviously published magazine or journal articles, wall panels and object labels, audio tour scripts, play scripts, interviews, blogs, checklists and news releases, plus related images.

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