ELIZABETH B. NOYCE COLLECTION MEMORIAL EXHIBITION

Portland Museum of Art

Portland, Maine

1-207-775-6148 or 1-800-639-4067

http://www.portlandmuseum.org

ELIZABETH B. NOYCE COLLECTION

MEMORIAL EXHIBITION

An exhibition of the collection of Elizabeth B. Noyce, Maine philanthropist and

art collector, opens at the Portland Museum of Art October 1, 1997. Featuring more than 60

works by American artists, this is the first time masterpieces from Mrs. Noyce's collection will be

seen together. The Elizabeth B. Noyce Collection will be on view through January 4, 1998.

Elizabeth B. Noyce, who died in September 1996, bequeathed her outstanding collection of

American art to four Maine museums: the Portland Museum of Art, The Farnsworth Art

Museum, the Maine Maritime Museum, and the Monhegan Museum. Mrs. Noyce had a close

relationship with each of these institutions and the dispersal of her collection reflects her rich

understanding of their respective missions. It was her objective not to place the collection at any

one museum as a memorial to herself, but rather to share it among institutions throughout the

state to ensure that her collection will be a resource for the people of Maine for generations to

come.

The bequest of 66 paintings to the Portland Museum of Art is the most extensive gift of American

art ever presented to the Museum. The Elizabeth B. Noyce Collection has transformed the scope

and quality of the Museum's American collection, bringing to the Museum its first paintings by

George Bellows, Alfred Thompson Bircher, Herman Dudley Murphy, Abraham Walkowitz, and

Jamie Wyeth, and adding masterpieces to the collection by Fitz Hugh Lane, Childe Hassam, N.C.

Wyeth, and Andrew Wyeth.

The Elizabeth B. Noyce Collection exhibition brings together Mrs. Noyce's paintings and

explores her development as a collector. As her collection grew, she became an avid student of

the Maine's rich and varied art history. The earliest works in The Elizabeth B. Noyce Collection

date to the arrival in Maine in the nineteenth century of the first landscape painters, including

Alvan Fisher, Fitz Hugh Lane and Frederic Church. The focus of Mrs. Noyce's collection was

realism in Maine. The strength of this tradition is exemplified through paintings by Winslow

Homer, Robert Henri, Rockwell Kent, George Bellows, Edward Hopper, and three generations of

the Wyeth family. Her interests extended to more recent developments such as neo-realism and

photorealism, represented by the work of Neil Welliver and Alan Magee.

Throughout the collection's growth, Mrs. Noyce maintained a high level of independence in

choosing works. She tended to focus on acquiring one piece at a time and knew the history of

every work intimately. Over time, she became increasingly selective, seeking out works that

would fill in the picture she was composing of Maine's role in American art. Each of her

acquisitions balanced her knowledge of art history with a more personal vision. For example, her

love of the sea and boating informed her selection of myriad paintings, from Maurice

Prendergast's Group of Boats (Watching the Regatta) to William Thon's Working Sloop.

Along with Mrs. Noyce's heralded gifts to the Maine art community, she made charitable gifts to

non-profit institutions totaling between $50 million and $75 million. In recent years, Mrs. Noyce

had begun practicing what she called "catalytic philanthropy," by investing in Maine businesses

and communities with the goal of creating jobs and boosting the economy.

The Elizabeth B. Noyce Collection will travel to The Farnsworth Art Museum in Rockland,

Maine in the spring of 1998. A full-color catalogue with essays by exhibition curator, Jessica

Nicoll and The Farnsworth Art Museum curator, Susan Larsen, will be available in September.

This exhibition is made possible through the generous support of Perkins, Thompson,

Hinckley & Keddy, Maine Bank & Trust Company, and the John J. Nissen Baking Company.

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