Museum of Art

Brigham Young University

Provo, UT

801-378-2787

http://moa.byu.edu



 

 

The Brigham Young University Museum of Art opened in October, 1993. The 100,000 square-foot structure houses the university's art collection of over 16,000 objects. The Museum gives the campus and community the opportunity for enriching, first-hand experiences with world-class art. Hours and fees are available on the museum's website.

Google Book Searches conducted in 2008 and 2013 by Traditional Fine Arts Organization (TFAO) located the following brochures, catalogues and gallery guides published on paper in connection with the Museum and with a topic of American representational art. The list may not include all relevant publications. Titles are listed by date of publication, with most recent listed first. Information on publications may be in error or incomplete. Titles may be followed by links to related essays published by Resource Library. See Definitions for more information on finding brochures, catalogues and gallery guides using TFAO's website.

The following catalogues do not feature Google Books' "full view" or "limited preview":

The Intimate Eye: The Drawings of Burt Silverman, by Herman C. Du Toit. Brigham Young University, 2006 - 48 pages. Collection of 48 drawings and text by Burton Silverman

American Women Modernists: The Legacy of Robert Henri, 1910-1945, By Marian Wardle, Sarah Burns, Brigham Young University Museum of Art. Compiled by Stephanie Andrews McNairy. Published 2005. Brigham Young University Museum of Art in association wth Rutgers University Press, New Bunswick, N.J. - 274 pages. ISBN:0813536839. The seven essays included in this volume move beyond the famed Ashcan School to recover the lesser known work of Robert Henri's women students. The contributors, who include well-known scholars of art history, American studies, and cultural studies demonstrate how these women participated in the "modernizing" of women's roles during this era.

Escape to Reality: The Western World of Maynard Dixon, by Linda Jones Gibbs, Deborah Brown Rasiel. Brigham Young University Press, 2000 - 185 pages Escape to Reality: The Western World of Maynard Dixon; article by Charlene Winters titled "Escape to Reality" (11/9/00)

Presage of Passage: Sculpture for a New Century, by Herman C. Du Toit. Brigham Young University Museum of Art, Oct 1, 1999 - 60 pages

Art, Belief, Meaning: The Visual Arts and the Restored Gospel : Papers Presented at the First Annual Art, Belief, Meaning Seminar for Faculty and Students, November 20, December 4, and December 11, 1998, by Christian F. Sorenson. Brigham Young University Museum of Art, College of Fine Arts and Communications, 1998 - 76 pages

Imitations of Transcendence: The Sculpture of Björn Erling Evenson : Museum of Art, Brigham Young University, Provo, Utah, September 18, 1996 - January 15, 1997, by Björn Erling Evenson, Östen Sjöstrand, Steven P. Sondrup. Foundation for Cultural and Library Studies - 25 pages

150 Years of American Painting, 1794-1944, The Museum, 1994 - 177 pages

Book information courtesy of Google Books.

The potential for the essays in the above books to be placed online for free access by the public is of interest to TFAO. For information on digitizing initiatives from non profit organizations please see digitizing initiatives. Also please see commercial ventures. For information on two of TFAO's digitizing initiatives please click here for the Institutional Sources Study Project, here for the Collections-Centric Scholarly Texts Project, here for Resource Library's Scholarly texts services to Institutions, and here for TFAO's grant program for conversion of analog text to digital files and online publication of scholarly texts

Links to sources of information outside of our web site are provided only as referrals for your further consideration. Please use due diligence in judging the quality of information contained in these and all other web sites. Information from linked sources may be inaccurate or out of date. Traditional Fine Arts Organization, Inc. (TFAO) neither recommends or endorses these referenced organizations. Although TFAO includes links to other web sites, it takes no responsibility for the content or information contained on those other sites, nor exerts any editorial or other control over them. For more information on evaluating web pages see TFAO's General Resources section in Online Resources for Collectors and Students of Art History.


Why was this sub-index page prepared?

When Resource Library publishes over time more than one article concerning an institution, there is created as an additional resource for readers a sub-index page containing links to each Resource Library article or essay concerning that institution, plus available information on its location and other descriptive information.

Unless otherwise noted, all text and image materials relating to the above institutional source were provided by that source. Before reproducing or transmitting text or images please read Resource Library's user agreement.

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