American 20th-21st Century Wildlife Art



Introduction

This section of the Traditional Fine Arts Organization (TFAO) catalogue Topics in American Art is devoted to the topic "American 20th-21st Century Wildlife Art." Articles and essays specific to this topic published in TFAO's Resource Library are listed at the beginning of the section. Clicking on titles takes readers directly to the articles and essays. The date at the end of each title is the date of publication in Resource Library.

Following the listing of Resource Library articles and essays is the heading "TFAO references." Periodically TFAO conducts keyword searches from the Resource Library homepage relating to this topic. The count of pages within Resource Library citing the keywords indicates breadth of coverage in Resource Library for this topic. We recommend that researchers always search within Resource Library for additional material. Please see TFAO's page How to research topics not listed for more information.

After "TFAO references" are links to online resources found outside the TFAO website. Online resources are gathered from TFAO catalogues. Following online resources is information about offline resources including museums, DVDs, and paper-printed books, journals and articles. Our goal is to present complete knowledge relating to this section of Topics in American Art.

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Articles and essays from Resource Library in chronological order:

Click here for more articles and essays on this subject published in 1998-2000.

Return to Wildlife Art: 18-19th Century, 19-20th Century, 20-21st Century

 

TFAO references:

A 11/29/13 search within TFAO's digital library retrieved:

 

From other websites:

 

TFAO suggests these books:

American Wildlife Art, by David J.Wagner. Amazon.com describes the book as follows:

Bookshelves abound with accounts of wildlife artists and their artistry, but no book is truly comparable to American Wildlife Art. In American Wildlife Art, scholar and curator David J. Wagner tells the story of this popular genre's history, shaped by four centuries of cultural events and aesthetic and ideological trends, from its beginnings in colonial times to the monumental works of the present day. In his insightful accounts of the artists, events, and trends at the heart of this uniquely American art form, Wagner explains how the aesthetic idioms and imagery of American wildlife art have evolved, how its ecological ideologies have changed with changing circumstances and ideas about animals and their habitats, and how artists and entrepreneurs developed and influenced the market for wildlife art. Wagner's history begins with the works of John White and Mark Catesby, artists who documented the flora and fauna of the New World and presented Europeans with a view of both the economic potential and the natural wonders of the then sparsely settled continent. After the American Revolution, as the new nation grew, artists such as Alexander Wilson and especially John James Audubon caused the course of American wildlife art history to turn and advance, setting the stage for Arthur Tait's collaboration with Currier & Ives and the work of Edward Kemeys, whose impressionistic sculpture captured the essence of disappearing wildlife like the wolf and buffalo. As Wagner's narrative moves to the twentieth century and beyond, it embraces in revealing detail the lives of artists Louis Agassiz Fuertes and Carl Rungius, painters who were among the most influential wildlife artists of their time. Wagner's account concludes with portraits of contemporary wildlife artists such as Ray Harm, Robert Bateman, and Kent Ullberg-artists whose work at once departs from and embodies the legacies, traditions, and innovations that informed and preceded it.

424 pages, University of Washington Press, 2008, ISBN-10: 0977802868, ISBN-13: 978-0977802869 (information courtesy of Amazon.com, front cover image courtesy Amazon.com)

Three Centuries of Great American wildlife art: and Why It Is a Good Investment Today, By Griggsville Wild Bird Society. Published by Griggsville Wild Bird Society, 1973. 30 pages. (information courtesy of Google Books)

Value in American Wildlife Art: Proceedings of the 1992 Forum, By William V. Mealy, Peter Friederici, Roger Tory Peterson Institute, Roger Tory Peterson Institute. Published by Roger Tory Peterson Institute of Natural History, 1992. 146 pages. (information courtesy of Google Books)

Wildlife Artists at Work, By Patricia Van Gelder. Published by Watson-Guptill, 1982. Original from the University of Michigan. Digitized Nov 15, 2007. 175 pages. (information courtesy of Google Books)

Wildlife in American Art: Selections from the National Museum of Wildlife Art, by National Museum of Wildlife Art (Author). Publisher: University of Oklahoma Press (October 2009). ISBN-10: 0806140151, ISBN-13: 978-0806140155. (information courtesy of Amazon.com)

 

TFAO also suggests these DVD or VHS videos:

Birds of America, The Features the art of John James Audubon. 29 minutes (collection of Joslyn Art Museum)

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