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The Continuing Allure: Painters of Utah's Red Rock
January 14 - June 27, 2010
The vast deserts and mesmerizing canyon regions of southern Utah have inspired filmmakers, poets, and artists for over 160 years. In the exhibition, The Continuing Allure: Painters of Utah's Red Rock, on view in the Utah Museum of Fine Arts (UMFA) G.W. Anderson Family Great Hall from January 14 through June 27, 2010, visitors will encounter large, breathtaking paintings by some of the West's premier artists.
Organized by Donna Poulton, UMFA Associate Curator of Utah and Western Art, The Continuing Allure comprises works from private regional collections and the UMFA's permanent collection. The featured paintings span roughly a century, and were created by such artists as William R. Leigh, Sven Birger Sandzen, and Gary E. Smith. Also included are the "California painters," namely Edgar Payne, Maynard Dixon, Harold "Buck" Weaver, and Conrad Buff.
Each of these artists traveled to southern Utah, often staying for weeks or months at a time, to paint the cubed buttes and towering spires found in the great iconic sites of the West: Bryce, Zion, Rainbow Bridge, and the Grand Staircase. While most of the paintings in The Continuing Allure are representational in style, each artist strove to create, in his own way, an authentic American experience, capturing and interpreting the challenging terrain with innovative methods.
Featured artist, William R. Leigh, is a classic example of an adventurous painter who became enamored with the rhythmic canyons and imposing rock faces of southern Utah. Originally from New York, Leigh traveled to Arizona in 1906 to paint scenes of the Grand Canyon for the Santa Fe Railroad, and he spent nearly every summer thereafter painting in New Mexico, Arizona, and Utah. In 1922, Leigh embarked on a treacherous week-long trip to the steep, slick rock mass of Rainbow Bridge. It was there that he painted Rainbow Bridge by Moonlight, one of the works currently on view in The Continuing Allure.
Nearly a century later, artists like Charles Muench are still embracing and conquering the obstacles of Utah's red rock region. Following a long tradition of highly regarded artists, Muench regularly packs his paint and canvases to spend weeks in Bryce and Zion National Parks. Visitors to the exhibition can see Bryce Canyon Color (2000), in which Muench captured the colorful canyon at twilight, carefully shaping the thousands of hoodoos and spires that fill the geological amphitheater.
The UMFA is delighted to present The Continuing Allure: Painters of Utah's Red Rock, which coincides with the celebration of the 100th Anniversary of the creation of Zion and Bryce National Monuments (now National Parks) in 1909 and 1910.
(above: Conrad Buff (1886 - 1975), Canyon Land, ca. 1935, oil on masonite, 34 x 51 inches, Collection of Edenhurst Gallery, Palm Desert, CA)
(above: Maynard Dixon (1874 - 1946), Moonlight over Zion, 1933, oil on canvas, 36 x 40 inches, courtesy of a private collection)
(above: Edgar Alwin Payne (1883 - 1947), Red Mesa, Monument Valley, Utah, 1935, oil on canvas, 25 x 30 inches, purchased with funds from the Phyllis C. Wattis Endowment for Modern and Contemporary Art, Museum #2008.14.1)
(above: Harold Weaver (1889 - 1961), Landscape - Cloud
Patterns, 1935, oil on canvas, 34 x 36 inches, collection of Diane and
Sam Stewart )
Related public event
"When the Movies Raised Kane in Kane County: Hollywood Moviemaking in Utah," by Dr. James V. D'Arc
Wednesday, March 24 at 7 pm.
The Famous movie director John Ford once exclaimed, "Monument Valley was my greatest star." In this lecture by noted film historian and expert, Dr. James D'Arc, you can discover the familiar sites that inspired many classic cinematic moments and productions throughout 100 years of filmmaking in the Utah red rock.
Please click here to view object labels for the exhibition.
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