2010 Museum Calendar

American Representational Art Exhibitions

Hosted by Non-Profit Museums and Organizations



 

May

 

 

Art Complex Museum
In Pursuit of the Picturesque: American Paintings of New England and New York from The Art Complex Museum Collection *
May 2 through September 5
 
 
Brookgreen Gardens
Red, White, and Blue: American Sculpture for and by Veterans *
May 8 through July 25
 
 
Butler Institute of American Art
Robert Vonnoh (1858-1933): American Impressionist *
May 2 Through June 27
 
 
Cape Ann Museum
Summer Outward Bound: The Robert L. and Elizabeth French Collection *
May 15 through September 26
 
 
Fenimore Art Museum
John Singer Sargent: Portraits in Praise of Women *
May 29 through December 31
 
 
Indiana State Museum
Heartland Art: Selections from Your Indiana Collection *
May 1 through February 13
 
 
Montclair Art Museum
Engaging with Nature: American and Native American Artists (A.D. 1200-2004) *
May 16 through September 25
 
 
Naples Museum of Art
ASSOCIATED AMERICAN ARTISTS, ART BY SUBSCRIPTION *
May 9 through June 30
 
 
National Gallery of Art
American Modernism: The Shein Collection *
May 16 through January 2
 
 
National Museum of Wildlife Art
Karl Bodmer's Western Wildlife: Original Sketches from the Joslyn Art Museum *
May 8 through August 29
Travels in the Interior of North America: Etchings by Karl Bodmer *
May 8 through October 17
 
 
Nelson-Atkins Museum of Art
Edward Steichen: In High Fashion: The Condé Nast Years 1923-1937 *
May 15 through July 2
 
 
Oakland Museum of California
Gallery of California Art *
May 1 - December 2, 2013
 
 
Virginia Museum of Fine Arts
Tiffany: Color and Light *
May 29 through August 15
 
 
Wichita Art Museum
Western Imprints: Carving Out the Western Landscape/Reduction Woodblocks by Leon Loughridge *
May 9 - Spetember 19
 

What is included

These calendars reference exhibitions devoted primarily to American representational art. Not all exhibitions submitted to TFAO are included in calendars.

Excluded content includes:

Resource Library selectively publishes publicity articles concerning retrospective exhibitions of artist organizations' individual members at museums or art centers. Artist organizations include cooperatives, clubs and other membership societies.

Revisions of dates are accepted and encouraged in order for calendars to be as accurate as possible. The deadline for inclusion in a current monthly calendar is the first day of that month.

To make the most of your visit to an exhibition

If you are touring, you will find American art venues to visit Indexed by State within the United States. Call the museum in advance to see if you can:

Exhibition dates may and do change without prior notice from museums to TFAO. Always verify dates directly with museums before visiting their exhibitions.

Museums often have closed days. Mondays are common in the USA but sometimes there are other closed days or multiple closed days. It's a good idea to arrive early or late in the day when there are less crowds. Many museums have tours for school children in the morning, causing increased traffic. Some museums have evening hours and many offer free days throughout the year.

When arriving you can get an idea of what the museum considers it's most cherished works by scanning the postcards in the museum gift shop. Or take a look through books that describe the museum's collection. Larger museums have kiosks, brochures, and even computer rooms for viewing the collection on a screen.

To enrich your visit you may enjoy reading TFAO's Museums Explained. Also, to learn how museums put together exhibitions and tour them, please see TFAO's Planning, Organizing and Touring Art Exhibitions.

 

How TFAO updates calendars

Future calendars are updated in two ways:

Systematically:

On a bimonthly basis, TFAO volunteers review the Calendar Update Schedule (see A-C D-G H-L M-Q R-S T-Z) to locate museums for which their furthest exhibition closing month has expired. TFAO then reviews the current and future exhibition sections of websites of targeted museums for new information. TFAO then updates the Schedule's listings for the targeted museums with new information by listing on the schedule the earlier of: 1. the furthest exhibition closing month in time or 2. a month which TFAO deems important for follow up. As a part of this review TFAO also updates the related exhibition calendar to include information on newly discovered exhibitions.
 

Occasionally:

Future calendars and Calendar Update Schedules are checked and updated on a continuous basis as information is received by email from museum sources.

 

How TFAO uses calendars

Towards the end of each month TFAO volunteers review the calendar for all of the listed exhibition openings for that month. TFAO then reviews published exhibition articles and essays in the sub-index page for each related museum to determine if Resource Library has already published an article or essay concerning each calendar listing. If Resource Library has not yet published an article or essay, TFAO may send by email a request for exhibition information to the museum. TFAO sends requests near the end of the exhibition opening month to allow museums time to gather .jpg images and texts from gallery guides, brochures or catalogues, exhibition wall panels and labels, as well as press releases. TFAO requires six hundred or more words of text to publish a Resource Library article or essay for an exhibition.

* indicates inquiry made by TFAO regarding this exhibition.

Return to annual Calendars of Exhibitions


Links to sources of information outside of our web site are provided only as referrals for your further consideration. Please use due diligence in judging the quality of information contained in these and all other web sites. Information from linked sources may be inaccurate or out of date. Traditional Fine Arts Organization, Inc. (TFAO) neither recommends or endorses these referenced organizations. Although TFAO includes links to other web sites, it takes no responsibility for the content or information contained on those other sites, nor exerts any editorial or other control over them. For more information on evaluating web pages see TFAO's General Resources section in Online Resources for Collectors and Students of Art History.


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