20-21st Century Pacific Painting: Alaska, California, Hawaii, Oregon, Washington

• The Frye Art Museum Celebrates Fifty Years (12/27/01)
• Public Art, Public History; article by Sharon Long Baerny
• Canvasing Catalina, article by Sarah Beserra (12/7/01)
• Landscape and Language: The Paintings of David Ligare; essay by Patricia Junker (11/14/01)
• California, This Golden Land of Promise: The History of California Through Art (11/12/01)
• Fame and Fortune, article by Sarah Beserra (10/22/01)
• Strait Laced with Painters, article by Sarah Beserra (10/22/01)
• Acquisition of an Archive: The Graphic Works of Ed Ruscha, essay by Karen Breuer (9/18/01)
• The Northern Scene, essay by Raymond L. Wilson (9/12/01)
• The California Water Color Society: Genesis of an American Style, essay by Janet Blake Dominik (9/4/01)
• California Watercolor Painters in Context, essay by Donelson Hoopes (8/30/01)
• An Unstill Life: S.C. Yuan / Paintings, essay by Kathleen Moodie (8/28/01)
• Art at Scripps: The Early Years, essay by Mary MacNaughton (8/28/01)
• How-To: The Paintings of Deborah Oropallo (8/27/01)
• Native Grandeur: Preserving California's Vanishing Landscapes; "Landscape Painting in California," essay by Jean Stern (8/25/01)
• Acquisition of an Archive: The Graphic Works of Ed Ruscha (8/25/01)
• Regionalism: The California View, essay by Susan M. Anderson (8/20/01)
• Tasty and Bitter Fruit, article by Sarah Beserra; Quick--Draw at High Noon, article By Aleta Carpenter (8/16/01)
• Continuity and Change: Southern California's Evolving Landscape, essay by Sarah Vure (8/15/01)
• Peter Zokosky: The Nature of Being, essay by Gordon Fuglie (8/14/01)
• Dream and Perspective: American Scene Painting in Southern California, essay by by Susan M. Anderson (8/13/01)
• The Metamorphosis of California Landscape Art, essay by Rexford E. Brandt (8/9/01)
• Urban Invasion: Chester Arnold and James Doolin (8/8/01)
• "Chester Arnold: Realizing Meaning," essay By Karen Kienzle (8/8/01)
• "James Doolin's Illusionistic Vision," an essay By Patricia Hickson (8/8/01)
• Maurice Logan, Artist and Designer, essay by Marvin A. Schenck (7/26/01)
• Sierra Grandeur (7/23/01)
• California Art at the Oakland Museum, essay by Paul Chadbourne Mills (7/17/01)
• The Society of Six, essay by Terry St. John (7/17/01)
• Towards Impressionism in Northern California, essay by Raymond L. Wilson (7/7/01)
• The Arts in Santa Barbara, essay by Janet B. Dominik (7/7/01)
• The San Francisco Art Association, essay by Betty Hoag McGlynn (7/6/01)
• The Santa Cruz Art League; The Carmel Art Association: essays by Betty Hoag McGlynn (7/6/01)
• San Diego Beginnings, essay by Martin E. Petersen (7/6/01)
• The Development of an Art Community in the Los Angeles Area, essay by Ruth Westphal (7/5/01)
• The Development of Southern California Impressionism, essay by Jean Stern (7/3/01)
• Impressionism, Post-Impressionism, and the Eucalyptus School in Southern California, essay by Nancy Dustin Wall Moure (6/28/01)
• Gary Faigin: Traditions & Contradictions (6/27/01)
• Carmel Makes My Day, article by Sarah Beserra (6/21/01)
• Hard-Boiled Wonderland, essay by Julie Joyce (6/13/01)
• Twilight and Reverie: California Tonalist Painting 1890-1930 (5/16/01)
• Heightened Realities: The Monotypes of Ruth Weisberg (3/21/01)
• Chestnut Street Stomp (3/13/01)
• Afterglow in the Desert: The Art of Fernand Lungren (1/12/01)
• Carmen Lomas Garza: A Retrospective (1/11/01)

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