Author Study and Index
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E F G H I
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O P Q R S T U
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Y Z
Lisa Wainwright
Things of Nature And the Nature of Things: John Wilde In the McClain
Collection, By Lisa Wainwright. Published 2006 by 
Chazen Museum
of Art. ISBN:0932900984. The Museum describes the books as follows: "Things
of nature and the nature of things have informed the work of John Wilde
for some seventy years. In painstakingly crafted vignettes of figures and
props and still life arrangements, Wilde serves up grand parables on the
existential condition of modern man. These are timeless and enduring narratives,
drawing on traditions from the northern and early Renaissance periods and
Flemish paintings to Symbolist and Surrealist iconography and strategy.
Wilde amasses a potpourri of sources and motifs and brings them up to the
present moment by setting his compositions in the Wisconsin landscape just
outside his studio door. In this exhibition, the McClain collection presents
a superb overview of Wilde's oeuvre. It includes the full palette of still
lifes, allegorical landscapes, and portraits, and covers the period of Wilde's
work from the 1940s to recent work from the 1990s." Note: Google Books offers a Limited Preview of
this book. For more information on this and other digitizing initiatives
from publishers please click here
and here (right: front
cover, Things of Nature And the Nature of Things: John Wilde In the McClain
Collection,, image courtesy Google Books)
Celia Walker
A Century of Progress: 20th Century Painting
in Tennessee; essay by Celia Walker (7/9/02)
David H. Wallace
"The Art of John Rogers: 'So Real and So True'" American
Art Journal ( vol. 4, no. 2; 1972)
Alan Wallach
"Wadsworth's Tower: An Episode in the History of American Landscape
Vision" American Art (Vol. 10, No. 3; Fall 1996)
American Art Review February-March 95
Gilbert Munger: Quest for Distinction (7/24/03)
Art Bulletin Thomas
Cole's River in the Catskills as antipastoral. June, 2002 by Alan
Wallach
Andrew Walker
"American Art & the Civil War" American Art Review September-October
1999 (Volume XI, Number 5)
Celia Walker
"Twentieth Century Painting in Tennessee" American Art Review
July-August 2002 (Volume XIV, Number 4)
John Allan Walker
"William Wendt Retrospective: Sunshine and the Brooding Melancholy
of Nature -- An Exhibition Review" American Art Review January
1978 (Volume IV, Number 4)
Nina de Angeli Walls
Art and Industry in Philadelphia: Origins
of the Philadelphia School of Design for Women
Irene N. Walsh
Magazine Antiques The
frakturs of Susanna Heebner, Feb, 1996 by Irene N. Walsh
Judith Walsh
Magazine Antiques The
language of flowers and other floral symbolism used by Winslow Homer, Nov,
1999 by Judith Walsh
Magazine Antiques The
language of flowers in nineteenth-century American painting, Oct, 1999 by
Judith Walsh
Adrienne L. Walt
"Guy Wiggins: American Impressionist" American Art Review
December 1977 (Volume IV, Number 3)
Judith Walsh
"A Summer's Pleasure: Incoming Tide, Scarboro, Maine by Winslow
Homer" American Art Journal ( vol. 25, nos. 1 and 2; 1993)
David C. Ward
"Celebration of Self: The Portraiture of Charles Willson Peale and
Rembrandt Peale, 1822-27" American Art (Vol. 7, No. 1; Winter
1993)
David C. Ward and Sidney Hart
"Subversion and Illusion in the Life and Art of Raphaelle Peale"
American Art (Vol. 8, No. 3-4; Summer/Fall 1994)
Alvia J. Wardlaw
American Art Review February-March 95
Bearing Witness: Contemporary Works
by African American Women Artists (6/8/99)
Cassatt and Duncanson Paintings Acquired
by MFAH (2/11/02)
Legacy of Struggle and Triumph: Icons
of An Inside View; essay by Floyd Coleman (5/29/03)
Something All Our Own: The Grant Hill Collection
of African American Art (9/2/03)
African-American Art from the MFAH Collection
(2/12/04)
Marian Wardle
"The "New Women" Art Students of Robert Henri" American
Art Review March-April 2005 (Volume XVII, Number 2)
Harriet G. Warkel
American Art Review February-March 96
"Indiana Paintings from the Lilly Endowment Collection" American
Art Review January-February 2003 (Volume XV, Number 1)
"American Paintings at the Indianapolis Museum of Art" American
Art Review May-June 2005 (Volume XVII, Number 3)
Celia Walker
A Century of Progress: 20th Century Painting
in Tennessee
Harriet G. Warkel
"The Herron School of Art Centennial" American Art Review
November-December 2002 (Volume XIV, Number 6)
"John Haberle: Museum Accession" American Art Review September-October
2003 (Volume XV, Number 5)
Louis A. Warren
The Early Portraits of Lincoln; article
by Louis A. Warren (1/9/02)
Krystyna Wasserman
Book as Art XIV: Temptations; essay by
Krystyna Wasserman (3/22/02)
Kathryn A. Wat
American Impressions: An Arcadian Vision,
Paintings from the Akron Art Museum; essay by Kathryn A. Wat (4/5/04)
"American Paintings from the Akron Art Museum" American
Art Review September-October 2004 (Volume XVI, Number 5)
New Master Drawings; essay by Kathryn A. Wat
(3/1/05)
Deborah Dependahl Waters
"Lotos Club State Dinner Menus" American Art Review May-June
2001 (Volume XIII, Number 3)
Richard J. Wattenmaker
"William Glacken's Beach Scenes at Bellport" American Art
(Vol. 2, No. 2; Spring 1988)
A. M. Weaver
The Fred W. Noyes, Jr. Centennial; articles
by A. M. Weaver and Judith M. Courter (8/10/05)
Nicholas Fox Weber
"Rediscovered American Impressionists" American Art Review
January-February 1976 (Volume III, Number 1)
J. Carson Webster
"Erastus D. Palmer: Problems and Possibilities" American
Art Journal ( vol. 4, no. 2; 1972)
Melissa J. Webster
American Art Review June-August 96
Jeffrey Wechsler
American Art Review November-December 97
Gifford Beal: At the Water's Edge (2/21/00)
Carolyn J. Weekley
Magazine Antiques The
nature of Edward Hicks's painting - Cover Story, Feb, 1999 by Scott W. Nolley,
Carolyn J. Weekley
Theodore Weesner
On Great Bay: Paintings by Christopher
Cook and Arthur DiMambro, with essays by Charles Simic and Theodore Weesner
(10/31/01)
Adam D. Weinberg
American Art of the Twentieth Century Tiny Folio: Treasures of the
Whitney Museum of American Art (online book excerpt available from Abbeville Press) (right: catalogue
front cover courtesy Abbeville Press)
Helene Barbara Weinberg
"John La Farge: The Relation of His Illustrations to His Ideal Art"
American Art Journal ( vol. 5, no. 1; 1973)
"The Work of John La Farge in the Church of St. Paul the Apostle"
American Art Journal ( vol. 6, no. 1; 1974)
"Thomas B. Clarke: Foremost Patron of American Art from 1872 to
1899" American Art Journal ( vol. 8, no. 1; 1976)
"Nineteenth-Century American Painters at the École des Beaux-Arts"
American Art Journal ( vol. 13, no. 4; 1981)
American Art Review April-May 94
The Painted Sketch: American Impressions
from Nature (1/15/99)
Uncanny Spectacle: The Public Career
of the Young John Singer Sargent (7/10/98)
Mary Cassatt: Drawings and Prints
in The Metropolitan Museum of Art (9/16/98)
New Endowed Curatorships at Met
(10/14/98)
John Singer Sargent: Beyond the Portrait
Studio, Paintings and Drawings from the Collection (3/23/00)
Parks and Promenades: Maurice Prendergast
in The Metropolitan Museum of Art (6/12/00)
American Impressionists Abroad and at
Home: Paintings from the Collection of the Metropolitan Museum of Art (11/18/00)
Montclair Art Museum Gallery Will Be Dedicated
to Works by George Inness (5/4/01)
Frederick Carl Frieseke: The Evolution
of an American Impressionist (7/6/01)
Thomas Eakins: American Realist (10/24/01)
"American Impressionists Abroad and at Home" American
Art Review September-October 2001 (Volume XIII, Number 5)
Edward Lamson Henry, 1841-1919 The
Peddler, 1879; essay by William T. Oedel (1/14/02)
John Singer Sargent Beyond the Portrait
Studio: Paintings, Drawings, and Watercolors from The Metropolitan Museum
of Art (2/1/02)
Thomas Eakins (6/6/02)
In and Out of California: The Participatory
Nature of Early California Art; essay by Will South (12/17/02)
"Americans in Paris, 1850-1910" American Art Review
September-October 2003 (Volume XV, Number 5)
Childe Hassam, American Impressionist
(1/2/04)
American Impressions, 1865-1935: Prints,
Drawings, and Watercolors from the Collection (1/2/04)
"Childe Hassam, American Impressionist" American
Art Review July-August 2004 (Volume XVI, Number 4)
Magazine Antiques Childe
Hassam: patterns of appreciation, July, 2004 by H. Barbara Weinberg
Magazine Antiques Impressionists,
realists, and the American city, April, 1994 by H. Barbara Weinberg
H. Barbara Weinberg and Erica E. Hirshler
"Americans in Paris, 1860-1900" American Art Review
May-June 2006 (Volume XVIII, Number 3)
Jonathan Weinberg
Art Journal Ben
Shahn: Picture Maker - Ben Shahn's New York: The Photography of Modern Times
- Common Man Mythic Vision: The Paintings of Ben Shahn - Review, Spring,
2001 by Jonathan Weinberg
Susan S. Weininger
American Art Review April-May 95
Ivan Albright: Magic Realist
Tunis Ponsen: essay by Susan S. Weininger
(12/22/05)
Susan C. Larsen, Wendy Greenhouse & Susan S. Weininger
"Chicago Painting 1895 to 1945: The Bridges Collection" American
Art Review March-April 2000 (Volume XII, Number 2)
Laural Weintraub
"Women as Urban Spectators in John Sloan's Early Work" American
Art (Vol. 15, No. 2; Summer 2001)
Ila Weiss
"Sanford R. Gifford in Europe: A Sketchbook of 1868" American
Art Journal ( vol. 9, no. 2; 1977)
Jessica R. Weiss
Wayne Thiebaud: 70 Years of Painting; text
by Jessica R. Weiss (3/29/08)
Caroline M. Welsh
American Art Review July-August 97
In Search of a National Landscape: William
Trost Richards and the Artists' Adirondacks 1855 - 1870; article by Linda
S. Ferber and Caroline M. Welsh (7/1/02)
Magazine Antiques Paintings
of the Adirondack Mountains, July, 1997 by Caroline M. Welsh
Caroline M. Welsh & Scott R. Ferris
"Rockwell Kent's Adirondack Legacy" American Art Review
July-August 2000 (Volume XII, Number 4)
Caroline M. Welsh and Rebecca Foster
"Harold Weston's Adirondack Art" American Art Review
May-June 2005 (Volume XVII, Number 3)
Marie N. Weltzien
American Art Review May-June 97
Amy Werbel
"Art and Science in the Work of Thomas Eakins: The Case of Spinning
and Knitting" American Art (Vol. 12, No. 3; Fall
1998)
Process on Paper: Drawings from Charles
Bregler's Thomas Eakins Collection at the Pennsylvania Academy of the Fine
Arts
Alfred Werner
"Ghetto Graduates" American Art Journal ( vol. 5, no.
2; 1973)
"Pascin's American Years" American Art Journal ( vol.
4, no. 1; 1972)
Gerard C. Wertkin
"Vision & Prophecy in American Folk Art" American Art
Review January-February 2000 (Volume XII, Number 1)
Richard V. West
"Rockwell Kent Reconsidered" American Art Review December
1977 (Volume IV, Number 3)
Robin West
Ira Moskowitz: Works on Paper, essay by
Robin West (11/13/02)
Virginia True (1900-1989), essay by Robin
West (11/22/02)
Robert F. Westervelt
"The Whig Painter of Missouri" American Art Journal
( vol. 2, no. 1; 1970)
Ruth Westphal
The Development of an Art Community in
the Los Angeles Area, essay by Ruth Westphal (7/5/01)
Sam Hyde Harris, 1889-1977; essay
by Ruth Westphal (1/21/01)
Joan Whalen
"Theresa Bernstein: American Modernist" American Art Review
May-June 2006 (Volume XVIII, Number 3)
Marilyn L. Wheaton
David Hostetler, Wood and Bronze Sculpture
(11/1/07)
Virginia Jarvis Whelan
Magazine Antiques Two
American artists: Amos Bad Heart Bull and N.C.Wyeth, Nov, 2003 by Virginia
Jarvis Whelan
Mark Andrew White
"Slicing and Dionysian: Peter Blume's Vegetable Dinner"
American Art (Vol. 14, No. 1; Spring 2000)
Raymond White, D.
Magazine Antiques John
Wood Dodge: and the portrait miniature, Nov, 2003 by Raymond White, D.
Cécile Whiting
"Borrowed Spots: The Gendering of Comic Books, Lichtenstein's Paintings,
and Dishwasher Detergent" American Art (Vol. 6, No. 2; Spring
1992)
Art Bulletin Trompe
l'oeil painting and the counterfeit Civil War, (essay) June, 1997 by
Cecile Whiting
Edna Talbott Whitley
George Beck: An Eighteenth Century Painter;
article by Edna Talbott Whitley (2/2/02)
Michael Whitt
Ray Strong at 98, article
by Michael Whitt (2/20/03)
Jochen Wierich & Dean A. Porter
" The Taos Society of Artists & Ancient Cultures" American
Art Review July-August 2005 (Volume XVII, Number 4)
David Wilkins
"The American Painting Collection at the Sarah Scaife Gallery, Carnegie
Institute, Pittsburgh" American Art Review March-April 1975
(Volume II, Number 2)
Carolyn B. Wilkinson
Magazine Antiques John
O'Brien Inman - American artist, Nov, 1998 by Carolyn B. Wilkinson
Anne D. Williams
"The Art of the Puzzle" American Art Review September-October
2000 (Volume XII, Number 5)
Jay Williams
American Art Review September-October 98
Myth, Memory, and Imagination, Photographs
from the Collection of Julia J. Norrell (11/14/00)
Zelda By Herself: The Art of Zelda Fitzgerald
(2/9/04)
William Dunlap's Old Tricks and New Dogs;
essay by Jay Williams (4/14/06)
Notes on the 19th, 20th, and 21st Centuries:
Paintings by Jeffrey Kronsnoble; essay by Jay Williams (5/13/08)
Realist Paintings by Bryan LeBoeuf; essay
by Jay Williams (6/19/08)
Mara Williams
Wolf Kahn: Landscape of Light, 1953-2006;
essay by Mara Williams (10/24/06)
Deborah Willis
"Writing African American Art History" American Art
(Vol. 17, No. 1; Spring 2003)
Jim Willoughby
American Art Review March-April 98
Painters of the Desert (7/20/98)
Charles Reagan Wilson
Apocalypse South, essay by Charles Reagan
Wilson (12/5/02)
Christopher Kent Wilson
"Engraved Sources for Quidor's Early Work" American Art
Journal ( vol. 8, no. 2; 1976)
"John Quidor's The Return of Rip Van Winkle at the National
Gallery of Art: The Interpretation of an American Myth" American
Art Journal ( vol. 19, no. 4; 1987)
"The Landscape of Democracy: Frederic Church's West Rock, New Haven"
American Art Journal ( vol. 18, no. 3; 1986)
"Winslow Homer's Thanksgiving Day-Hanging Up the Musket" American
Art Journal ( vol. 18, no. 4; 1986)
"Winslow Homer's The Veteran in a New Field: A Study of the
Harvest Metaphor and Popular Culture" American Art Journal (
vol. 17, no. 4 1985)
David L. Wilson, Jr.
Charles Vickery: Maritime painter; essay
by by David L. Wilson, Jr. (9/22/06)
Raymond L. Wilson
"Painters of California's Silver Era" American Art Journal
( vol. 16, no. 4; 1984)
"The First Art School in the West: The San Francisco Art Association's
California School of Design" American Art Journal ( vol. 14,
no. 1; 1982)
Towards Impressionism in Northern California,
essay by Raymond L. Wilson (7/7/01)
The Northern Scene, essay by Raymond L.
Wilson (9/12/01)
Richard Guy Wilson
"Idealism and the Origin of the First American Suburb: Llewellyn
Park, New Jersey" American Art Journal ( vol. 11, no. 4; 1979)
Charlene Winters
Escape to Reality: The Western World of
Maynard Dixon; article by Charlene Winters titled "Escape to Reality"
(11/9/00)
Walter Muir Whitehill
"The Making of an Architectural Masterpiece: The Boston Public Library"
American Art Journal ( vol. 2, no. 2; 1970)
John Wilmerding
"Fitz Hugh Lane: Imitations and Attributions" American Art
Journal ( vol. 3, no. 2; 1971)
"The Last Winslow Homer Show?" American Art Review September-October
1973 (Volume I, Number 1)
"American Paintings in the Webb Gallery of the Shelburne Museum,
Vermont" American Art Review November-December 1974 (V olume
I, Number 6)
"Winslow Homer's English Period" American Art Journal
( vol. 7, no. 2 ; 1975)
"Essential Reading" American Art (Vol. 11, No. 2; Summer
1997)
William Stanley Haseltine (1835-1900): Drawings
of a Painter; essay by John Wilmerding (3/16/05)
" Fitz Henry Lane & Mary Blood Mellen" American Art
Review July-August 2007 (Volume XIX, Number 4)
John Wisdom
"American Art in the Barbizon Mood Exhibition Review" American
Art Review March-April 1975 (Volume II, Number 2)
Linda Witkowski
American Art Review December 94 -January 95
David L. Witt
Moving Mountains - Alyce Frank and Barbara
Zaring, with notes by David L. Witt (1/2/02)
Marsha Skinner Landscape Drawings, with
interpretive essay by David L. Witt (5/6/02)
"Modernists in Taos" American Art Review November-December
2002 (Volume XIV, Number 6)
Ernest F. Witte
The Nebraska FERA Art Exhibit; article
by Ernest F. Witte (8/15/03)
Brucia Witthoft
"James Smillie's Engraving after Albert Bierstadt's The Rocky
Mountains" American Art Journal ( vol. 19, no. 2; 1987)
American Art Review Summer 92
Barbara Ann Boese Wolanin
"The Paintings of Arthur B. Carles" American Art Review
March-April 2000 (Volume XII, Number 2)
Ruth Wolf
American Art Review September-October 96
Tom Wolf
American Art Review November 96
M. Melissa Wolfe
"American Impressionism: Variations on a Theme" American
Art Review March-April 2006 (Volume XVIII, Number 2)
Inez S. Wollins
American Art Review April-May 94
Nan Wolverton
Magazine Antiques American
Indian baskets made in New England, Jan, 2004 by Nan Wolverton
Jason Wong
" Our Land, Our Sky, Our Water at EXPO '74" American Art
Review November-December 1974 (V olume I, Number 6)
Eve Wood
Chapman University Guggenheim Gallery:
To Move the Stars, essay by Eve Wood (10/16/02)
Victoria K. Woodhull
Seeing Red: Rockwell Kent and the Farnsworth
Art Museum; article by Victoria K. Woodhull (9/3/04)
Jean Woods
American Art Review March-April 97
Marianne B. Woods
"Viewing Colonial America through the Lens of Wallace Nutting"
American Art (Vol. 8, No. 2; Spring 1994)
Kesler E.Woodward
A Northern Adventure: The Art of Fred
Machetanz (1908-2002); Introduction to the Exhibition by Kesler Woodward
(6/29/04)
"The Art of Fred Machetanz" American Art Review July-August
2004 (Volume XVI, Number 4)
Richard Wootten
American Art Review Winter 93
Richard H. Love & Michael Preston Worley
"The Genteel Tradition in American Painting" American Art
Review March-April 1999 (Volume XI, Number 2)
Sharon Worley
American Art Review September-October 97
Stuart Davis in Gloucester (1/14/00)
Arthur Wright
"Long Moments: The Paintings of Frank Holmes" American Art
Review November 1978 (Volume IV, Number 6)
Frank Lloyd Wright
"The Master's Work, 1949" American Art Review May-June
1975 (Volume II, Number 3)
John Hardy Wright
American Art Review October-November 94
Richard P.Wunder
"The Irascible Hiram Powers" American Art Journal (
vol. 4, no. 2; 1972)
Lydia Lloyd Wyckoff
American Art Review September-October 96
Beads: A Cross-Cultural Medium
(12/8/98)
TFAO notes for this study
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