Editor's note: The following essay, with endnotes,
was rekeyed and reprinted on June 4 , 2002 in Resource Library Magazine
with permission of the Lightner Museum. The essay was published in October
2001 in the 119 page illustrated book titled Lost Colony: The Artists
of St. Augustine, 1930-1950, ISBN 0-97-13560-0-9. Images accompanying
the text in the book were not reproduced with this reprinting except for
two sample images. If you have questions or comments regarding the essay,
or if you have interest in obtaining a copy of the book, please contact
the Lightner Museum directly through either this phone number or web address:
Lost Colony: The Artists
of St. Augustine, 1930-1950
by Robert W. Torchia
About the author
At the time of publication of the essay in Lost Colony:
The Artists of St. Augustine, 1930-1950, the following biographical
notes for the author were included in the book:
- Robert Wilson Torchia received his Ph.D. in art history from the University
of Pennsylvania in 1989. He is a specialist in American art of the late
eighteenth through the early twentieth centuries, and has a strong secondary
field in oriental rugs and textiles. He is the author of John Neagle:
Philadelphia Portrait Painter (1989), The Smiths: A Family of Philadelphia
Artists (1998), and American Paintings of the Nineteenth Century,
Volume II, The Collection of the National Gallery of Art Systematic Catalogue
(1998), and a number of articles on such noted American artists as Thomas
Eakins, Joshua Johnson, and Thomas Sully. He is particularly interested
in American art in Florida, and has written A Florida Legacy: Thomas
Moran's Ponce de Leon in Florida (1998), and Ernst Conrad Kasten: Palatka
Expressionist (1999).
Read more articles and essays concerning this institutional
source by visiting the sub-index page for the Lightner
Museum in Resource Library Magazine.
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