Cape Museum of Fine Arts
Dennis, MA
508-385-4477
The Twelfth National Exhibition of the American Society of Marine Artists
April 28 - July 15, 2001
Cape Cod is indeed the perfect place to celebrate the achievements of some of America's finest maritime artists. It was this environment and its people that drew important artists of the early 20th century to the region to initiate what has become the oldest artist colony in the country.
One might jump to the conclusion that this exhibition would be an easy to digest, uncomplicated collection of portraits of ships at sea. However, the beauty of the Twelfth National Exhibition is that it offers a wonderful variety of media, subject and approach to composition.
History of American Society of Marine Artists
In 1979, a small group of artists gathered together to form the American Society of Marine Artists, a platform to "...recognize, encourage and promote marine art and maritime history." Offering the opportunity for all interested parties, artists and non-artists alike, to come together in their love of the sea and its environs, the Society has grown from that small conclave of artists to over 700 presently active members.
ASMA now has members in 46 states, and that great geographic spread means that there are more artists concerned with inland waters, creeks, backwaters, marshes, and the intertidal zone.
If ship portraiture is less a staple of marine art than it was in 1979, the offsetting benefit is that marine artists now enjoy a much greater range of compositional possibilities and a more personalized approach to the maritime world. All exhibited works are representational paintings and sculptures. What's more, many of the artists have been to sea professionally.
As is obvious, quotes Peter Rogers, vice president, ASMA, "most of us still have our technique, subject matter, and collective intellect deeply rooted in the rich traditions and demands of representational marine art. Since many of us have been to sea, painting in a realist manner is a vocation and craft hard to turn one's back on."
The American Society of Marine Artists (ASMA) is a non-profit tax-exempt organization based in Ambler, PA. Its purpose is to recognize and promote marine art and maritime history and to encourage cooperation among artists, historians, and marine enthusiasts. With members in 46 states, the Society has compiled an impressive record and is widely respected by the art community, galleries, maritime museums, marine and naval enthusiasts, as well as art collectors and art critics. ASMA welcomes as members everyone interested in marine art, the history of marine art, and our rich maritime heritage.
Cape Cod Artists
Five artists from Cape Cod have been juried into the Twelfth National Exhibition of the American Society of Marine Artists (ASMA) which opens at the Cape Museum of Fine Arts in Dennis, MA on April 28, 2001.
Among the 80 juried artists are: Donald Stoltenberg, Nancy Braginton-Smith, Howard Heath, William Muller and Charles Kenney.
The exhibition is considered one of the most prestigious of its kind. Its East Coast appearance is the first in a decade and its first ever on Cape Cod. William Muller and Donald Stoltenberg, Cape Cod ASMA members and artists in the exhibition, were instrumental in persuading the society to have the exhibition appear in the newly expanded Cape Museum of Fine Arts.
Because of its light, many artists are still attracted to the Cape. Last year, American Style magazine named it the "Number One Arts Destination" in the country.
Nearly 30 of the artists in the exhibit come from New England.
Nancy Braginton-Smith
Studying the methods of the French Impressionists,
Nancy has developed her unique recognizable style using her signature vibrant
palette, setting her apart from many contemporary artists. Living on Cape
Cod, near the waters of Lewis Bay, provides the artist with the subjects
she is most known for: classic sailboats, bay scenes, and children at play
on the beach. These are widely collected. (left: Nancy Braginton-Smith,
With the Wind, oil, 24 x 30 inches)
Nancy has earned numerous awards and honors, and is an
elected member of the CopIey Society (C.A.) in 
Boston, and
the Pastel Society o America (P.S.A.). Her education includes studies at
the Cape Cod School of Art, Swain School, and New England School of Art
and Design, forming a solid foundation for her work. (right: Nancy
Braginton-Smith, A Hazy Wet Sail, oil, 21 x 25 inches)
Braginton-Smith was commissioned by Head of the Charles Regatta in Boston, the Figawi Race Committee, and the Falmouth Yacht Club to produce promotional paintings for their events, as well as participating in fundraising events at the Cape Museum of Fine Arts.
Howard Heath
Howard Heath is a native of Massachusetts, born in Brookline
and educated in Needham. During World War II he served in the US Army Air
Force in England and France. He has always had a great love of art and showed
natural talent and promise. After the War
he graduated from Vesper George School of Art in Boston and then worked
in industry and art studios as a designer and illustrator for over 35 years.
His desire to realize his own creative potential caused him to participate
in several workshops including portraiture with Robert Cormier of Boston,
water color techniques with Bill Ternes from Sherborne and figure drawing
with King Coffin at the DeCordova Museum in Lincoln, Massachusetts. (left:
Howard Heath, Changing Weather, oil, 30 x 38 inches)
Professionally, Mr. Heath is a member of the Cape Cod Art Association, the American Society of Marine Artists, the Yarmouth Art Guild and the Museum of Fine Arts in Dennis. He has received awards and honors from these as well as from the Latham Foundation, the North Light and Artist's Magazine. He is also a member of the Oil Painters of America.
Charles Kenney
Charles Kenney was born in Boston in 1919. He served in
the United States Coast Guard during World War II. After attending art school
in Boston, he enjoyed a successful career as a commercial artist. Since
retiring from this 
profession,
he has worked exclusively as a marine artist at his home in Sagamore Beach,
Massachusetts. He is an elected member of the American Society of Marine
Artists, and his art work is seen not only in its original form on canvas
but also in print form and on calendars. He has received commissions from
the Navy Department and the Raytheon Company. Mr. Kenney's paintings have
been displayed in leading East Coast galleries including The Mariners' Museum
at Newport News, Virginia, The Maryland Historical Society, and the Marine
Gallery at Mystic Seaport, Connecticut. (left: Charles Kenney, Island
Steamship Sankaty Leaving Nantucket, oil, 21 1/2 x 27 1/2 inches)
Mr. Kenney's heritage is firmly anchored in the sea. His father, an uncle and his grandfather were all shipmasters, the latter having been lost at sea. His uncles were all sea-going men as was his maternal grandfather, who was also a builder of small schooners and brigs.
William Muller
William G. Muller was a founding director and is a Fellow
of the American Society of Marine Artists, and is an elected member of the
Society of American Historical Artists. An advisor to the National Maritime
Historical Society, Bill's art work is widely recognized by maritime historians
and curators for its scholarship, sensitivity and historical accuracy.
Inspired during his childhood years while growing up in New York City near the Hudson River where he watched the busy shipping traffic, Bill was especially enticed by the majestic old sidewheel river steamboats that were still plying the Hudson back then. He subsequently served for several of his youthful summers as Quartermaster-pilot of the famous "Alexander Hamilton", last of the now-vanished classic steam side-wheelers.
"As a painter," Bill explains, "I am especially
and aesthetically attracted to the historical maritime decades from the
1850's through the 1930's. This was a significant time span, in my view,
when most vessels, whether sailing 
craft, trans-ocean
liners or harbor tugboats, emerged from their builder's yards as objects
of beauty and grace. They possessed a grand character with their rich content
of woodwork, and in the alluring curves of their sculpted hulls and sweeping
sheer lines. They stood uniquely apart in their distinctive form from all
other massive man-made structures. They were an ultimate symbol of human
achievement and mobility. It is my passion to try to recapture in my paintings
the majesty of those grand vessels and, as well, to capture the compelling
atmosphere of the old ports and waterways that the vanished ships had served."
(left: William G. Muller, Liner "Independence" Departing
New York, oil, 27 x 37 inches)
His work has been exhibited in many maritime museums, and is represented in numerous private and corporate collections.
Donald Stoltenberg
Donald Stoltenberg received a BS from the Institute of
Design, Illinois Institute of Technology, and has taught at the Institute
of Design in Chicago, the Rhode Island School of Design, the DeCordova Museum
School, Falmouth 
Artists Guild, and the Cape Cod Conservatory
of Music and Art. He is the author of Collagraph Printmaking and
The Artist and the Built Environment. His work is in numerous collections
and he has been awarded many prizes including the Boston Park Purchase Award
for 1996 and First Prize for Watercolor, Chatham Creative Arts Center, 1996.
His work has been illustrated in Painting with the White of your Paper;
Splash 1, 2 and 4; Best of Watercolor; Best of Watercolor
2; and Abstracts in Watercolor. (left: Donald Stoltenberg,
QE2 at Bermuda Dockyard, oil, 31 x 45 inches)
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