Speed Art Museum
© John Nation 1998
Louisville, KY
302-634-2700
Jacob Lawrence: The Frederick Douglass and Harriet Tubman Series of 1938-40
The Speed Art Museum is pleased to announce
the opening of an exhibition on February 6, 2001 celebrating the life and
work of Jacob
Lawrence, one of the foremost American painters of the twentieth
century, an African-American artist and teacher, who died last June at the
age of 82. (left: Harriet Tubman series No. 10, 1939-40, Casein
tempera on gessoed hardboard, Hampton University Art Museum, Hampton, Virginia)
The Frederick Douglass and Harriet Tubman series
of 1938-40 are among Lawrence's greatest
achievements as a painter. Including 32 and 31 images,
respectively, the narratives document the struggles and heroic achievements
of these two nineteenth-century Abolitionists. Executed in tempera, the
images are remarkable in their simplicity, vivid color, boldly expressive
style, and use of the series format to convey narrative content. (right:
Harriet Tubman series No. 4, 1939-40, Casein tempera on gessoed hardboard,
Hampton University Art Museum, Hampton, Virginia)
Ellen Harkins Wheat, author of the catalog Jacob Lawrence:
The Frederick Douglass and Harriet Tubman Series of 1938-40, describes
the artist's work in this way. "At times powerfully exquisite, at other
times raw, even awkward, their rough magic and expressive
strength
speak to us through time of the often-neglected episodes of black American
history and the black experience." In Lawrence's own words: "If
at times my productions do not express the conventionally beautiful, there
is always an effort to express the universal beauty of man's continuous
struggle to lift his social position and to add dimension to his spiritual
being." (left: Frederick Douglass series No. 21, 1938-39,
Casein tempera on gessoed hardboard, Hampton University Art Museum, Hampton,
Virginia)
The images include captions written by the artist, who thoroughly researched the two legendary figures before beginning work on the series.
Including these series, Lawrence created five historical
sequences overall; the other three are
Toussaint L'Ouverture,
1937-38; The Migration of the Negro, 1940-41; and John Brown,
1941. Throughout his career, Lawrence continued to focus on themes of human
strife and determination. Although the Frederick Douglass and Harriet
Tubman series were executed early in Lawrence's artistic development,
the images remained dear to the artist throughout his lifetime and embody
some of his strongest work. (right: Frederick Douglass series
No. 13, 1938-39, Casein tempera on gessoed hardboard, Hampton University
Art Museum, Hampton, Virginia)
The exhibition is organized by the Hampton University Art Museum, the institution that owns the works. A catalog will be available for purchase in the museum shop.
See a related article: Jacob Lawrence--Aesop's Fables (4/11/99)
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