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Come as You Are: Art of the 1990s
February 8 - May 17, 2015
As the first venue on a national tour, the Montclair Art Museum presented Come as You Are: Art of the 1990s from February 8 to May 17, 2015. Come as You Are is the first major museum survey to examine the art of this pivotal decade in its historical context. The exhibition showcased approximately 65 works by 45 artists born or practicing in the United States -- including Doug Aitken, Felix Gonzalez-Torres, Glenn Ligon, Julie Mehretu, Prema Murthy, Shirin Neshat, Catherine Opie, Gabriel Orozco, Diana Thater, Rirkrit Tiravanija, and Kara Walker -- and will comprise installations, paintings, sculptures, drawings, prints, photography, video, and digital art. Come as You Are focuses on three principal themes: the "identity politics" debates, the digital revolution, and globalization, and explores a range of geopolitical milestones and social issues from 1989 to 2001 -- from the fall of the Berlin Wall to 9/11 -- through the perspective of artists working at that time. Come as You Are is traveling to Telfair Museums in Savannah, GA; the University of Michigan Museum of Art; and the Blanton Museum of Art, University of Texas at Austin.
Come as You Are is the largest and most ambitious exhibition presented by the Montclair Art Museum's Contemporary Art Program since it was established in 2010, and is organized by Alexandra Schwartz, the first curator of contemporary art at Montclair Art Museum. MAM is developing a fully illustrated catalogue for Come as You Are, co-published by the University of California Press. It will be the first comprehensive publication on the art of the 1990s to date and will lay groundwork for future research and study of both the works included in the exhibition and the period as a whole.
"The Montclair Art Museum is thrilled to present this unprecedented exhibition, which so powerfully brings into focus the role of contemporary art in reflecting the tremendous societal shifts of the 1990s," said the Museum's director, Lora Urbanelli. "Come as You Are will underscore the interplay between MAM's historical and contemporary collections, and the growth of our Contemporary Art Program. That program builds on the Museum's roots established by one of MAM's founders -- William T. Evans-who was committed to collecting early 20th-century works, which were the contemporary art of his time. We look forward to bringing to light for our audiences the tremendous impact the 1990s had on the art world and our lives today."
"Come as You Are writes a history of the 90s through the lens of the visual arts," said Alexandra Schwartz, curator of contemporary art at MAM. "Where we are today as a culture was, in many ways, defined by the 1990s, and the issues these artists confronted then are still very much in play now. We hope to ignite a conversation about the 1990s -- about the art, about the social and political concerns that these artists faced and addressed, about where technology is leading us. Visitors should emerge from this exhibition with a better understanding of why this was such a watershed decade."
Exhibition Themes and Highlights
Come as You Are refers to the 1992 song by Nirvana, which was an anthem for the decade. Each of the artists featured in the exhibition came to the fore of the contemporary art scene during the 1990s, and their work sparked intense debates -- particularly concerning issues of gender, sexuality, race, and class -- that continue to inform public discourse today. Come as You Are will explore these artists' very different approaches and responses to the political and societal forces that pervaded this critical period.
The exhibition also reveals the diverse ways in which the events and developments of the 1990s redefined and shaped contemporary approaches to artistic practice. Come as You Are looks at the dramatic changes in the nature of the art world itself, including the ongoing culture wars, issues of artistic freedom and censorship, the impact of new media and the emergence of video, sound, and digital art, the expansion of the global art market, and the explosion of art fairs and biennials. It also investigates the art world's increasing heterogeneity as artists of color, women artists, and LGBT artists attained increased prominence.
The exhibition is accompanied by the definitive catalogue on the art of the 1990s to date. Co-published by the University of California Press and the Montclair Art Museum, it includes four overview essays by exhibition curator Alexandra Schwartz and seven short, thematic essays by some of today's foremost contemporary art historians. Additionally, the catalogue contains a comprehensive chronology of the decade's key artistic, political, and cultural events and an extensive bibliography.
To view wall panel text from the exhibition, please click here.
To view extended object labels from the exhibition, please click here.
To view the checklist from the exhibition, please click here.
MAM offered a wide variety of public and family programs for all ages in connection with the exhibition, including scholarly panel discussions, artist talks, and 1990s-themed events. Highlights included:
Come as You Are: Art of the 1990s is made possible with generous support from The Andy Warhol Foundation for the Visual Arts.
Major funding provided by the Susan V. Bershad Charitable Fund, Inc., Patti and Jimmy Elliott, Holly English and Fred Smagorinsky, Tracy Higgins and James Leitner, Karen G. Mandelbaum, Robert Nossa and Jennifer Odell, Sarah Peter, Ann and Mel Schaffer, Denise and Ira Wagner, Margo and Frank Walter, Furthermore: a program of the J. M. Kaplan Fund, and the Judith Targan Endowment Fund for Museum Publications. Additional support is provided by the exhibition Leadership Committee: James Cohan Gallery, New York/ Shanghai, Eileen and Michael Cohen, Barbara Lee Family Foundation, Metro Pictures, New York, Andrea Rosen Gallery, and an anonymous donor.
About the Curator
Alexandra Schwartz is the first curator of contemporary art at the Montclair Art Museum, where her exhibitions have included the annual New Directions exhibition series of solo artists (established 2011), New Media/New Forms (2012), Come as You Are: Art of the 1990s (2015), and the forthcoming New Century Modern: Contemporary Artists Examine Design (2017). Previously she was on the curatorial staff of the Museum of Modern Art, where her exhibitions included Mind and Matter: Alternative Abstractions, 1940s to Now and Modern Women: Single Channel at MoMA PS1. She is the author of Ed Ruscha's Los
Angeles (MIT Press, 2010), the co-editor of Modern Women: Women Artists at The Museum of Modern Art (MoMA, 2010), and the editor of Leave Any Information at the Signal: Writings, Interviews, Bits, Pages by Ed Ruscha (MIT Press, 2002). Schwartz has taught at Columbia University, the University of Michigan, Montclair State University, the Whitney Museum of American Art, and MoMA; she received a B.A. from Harvard University and an M.A. and Ph.D. from the University of Michigan.
The MAM Contemporary Art Program
The launch of the Museum's Contemporary Art Program, in 2010, with the hiring of the Museum's first curator of contemporary art, Alexandra Schwartz, provides MAM an opportunity to showcase dynamic contemporary work and expand the Museum's contemporary art holdings. A main feature of the MAM program is to explore the interplay between historical and contemporary art to enrich our understanding of the larger historical context in which art is created, presenting work that is both challenging and accessible. The program also builds on the Museum's roots of collecting contemporary art, which began when one of MAM's founders, William T. Evans, donated a large portion of his collection-at the time one of the world's largest private collections of American art-to the Museum when it opened 100 years ago.
A key component of the Museum's Contemporary Art Program is its New Directions exhibition series of solo artists, established in 2011. Artists featured in this series include Marina Zurkow, Saya Woolfalk, Jean Shin, and Spencer Finch.
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For biographical information on selected artists referenced in this article please see America's Distinguished Artists, a national registry of historic artists.
For checklist, wall panel and extended object label definitions, please see Definitions in Museums Explained.
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